The best music you’ve never heard #4: Rhonda Vincent
Set that bluegrass on fire!
Now I know what you’re going to say: Bluegrass is for square dancers, hillbillies and flannel-clad hipsters. Truth be told, as a rule, it’s not one of my favorite genres, but I make the occasional exception for the greats: Ralph Stanley, Chris Thile and the musical queen of the Smokey Mountains, the one and only Miss Dolly Parton.
To my way of thinking, Jolene is one of the greatest heart-broke ballads ever written. Plaintive and gorgeous, it’s musical heaven in my book. So you’ll understand why I was dubious when my better half brought home a CD that included a cover of Dolly’s magnum opus some years ago. I was very skeptical, but lord have mercy, was I wrong.
Backed up by The Rage, Rhonda Vincent puts some serious fire in bluegrass music. Not only does she have a great set of pipes, but she can really play. This is seriously hot stuff. Give a listen.
Is your computer smoking yet? No? Then you don’t have the volume up high enough.
A big thank you to my blog buddy Tom Wisk for motivating me to get back to work with his latest post.
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Think you can handle more musical ramblings? OK, but don’t say I didn’t warn you — it can get a little weird hanging around my iPod.
Oh holy crap, here it comes again (The Slattern’s holiday party playlist!)
I did NOT have musical relations with that disco band
The best music you’ve never heard #1
The best music you’ve never heard #2
The best music you’ve never heard #3
Guilty Pleasures: Spring party mix
Same old song. Same old story. Let’s hear it all again.
“…I’d rather be dead than sing Satisfaction when I’m 45.”
I used to wonder how singers could face running through their big hits night after night, year after year, over and over and over again. You know what I mean, Mick singing Jumpin’ Jack Flash, Bowie busting out Young Americans, or The Beach Boys vamping on Surfin’ Safari. Well OK, I can see why these days The Beach Boys would perform virtually anything in almost any venue. After all, California’s a community property state, and rehab is really fracking expensive. Or so I have heard.
Anyways, I used to think it must just be the money that kept them in the game. How else to explain Bob Dylan doing one nighters for Microsoft or the Drifters showing up at virtually every Holiday Inn lounge in the midwest in any given year? Bills have to be paid, ex-wives subsidized, and entire circulatory systems emptied and replaced, and it all requires boatloads of the ready. For any musician born in the UK before 1980, the dental bills alone would be catastrophic. If you think Keith Richards’ new pearly whites came cheap, think again.
It has also crossed my mind that the adoration that rolls in while onstage is enough to entice even the most temperamental artiste — think Prince or Mariah Carey — to accept the inevitability of trotting out Little Red Corvette or whatever schlock Mariah is famous for (I can’t stand all that bleating and warbling so I never listen to her) as the cost of doing business. I once heard Nick Lowe say that when he’s attending a performance and the singer introduces something new from “the upcoming album,” a part of him dies just a little. Too right; you pay your dough and you expect to hear the hits. I mean, who wants to shell out $250 for the thrill of Bruce Springsteen running through his Tom Joad catalogue? Might as well stay home and chase your Quaaludes with Sazeracs while cleaning your ears with steel wool and eating Comet. Same experience. No, I want Bruce dancing on the piano covering Devil with the Blue Dress On and turning Born to Run into the New Jersey version of the goddamned Ring Cycle. I know I am not alone in this.
Though all of the above strike me as plausible, none really offer a completely satisfying explanation of how it is that creative people can bring themselves to repeat the same old songs day in and day out, often over the course of many, many years. (See Mr. Jagger above.) It’s a question that has baffled me for a long time, and recently I was giving it some considerable attention at, as it turns out, an Aimee Mann concert. You see, I have a soft spot for the former Til Tuesday singer, and when she’s in town Mr Slattern and I often make a point of dropping in on her shows. Sure the songs are a bit of a downer, but she herself is actually very funny, so you seldom leave a performance less happy — or more depressed depending on your pharmaceutical balance at the time — than you were when you arrived.
So there we were, hanging with Aimee and her band and about a thousand other people, enjoying the familiar strains of Freeway, and I was again wondering how singers manage to muster the enthusiasm to deliver the same songs ad nauseam without losing their minds or at the very least sliding into a deep creative funk. And that was when, as the say, the light dawned on Marble Head. I realized that like me, Ms. Mann probably never tires of her own work.
Now before you consign me to the scrap heap of failed writers with delusions of adequacy, hear me out. Frequently I find myself trolling around my site looking for something, or more often that not, killing time ’til cocktail hour. I start scrolling backward in time and before I know it I’ve lost two hours flipping through the archives and rereading last year’s posts about troublesome oldsters, the perils of driving in New Jersey ,or noble drunks of our time. It’s the same with my other work — short stories, satirical articles, and such. Make no mistake, I am acutely aware that I am no James Joyce, or even James Patterson for that matter, but somehow it doesn’t bother me all that much. Rather, it’s comforting to wallow in the products of my own mind, rather like trading an itchy bra for a comfortable old t-shirt, plopping down on the sofa and working your way through a bottle of Veuve Cliquot with a straw sliding into your own bed after a couple of weeks on the road.
Of course, I certainly don’t want to be reading this stuff when I’m 60. Although if someone wanted to hear it…..












All I want for Christmas is no more “Les Miz”
Dec 19
Posted by WSW
Jack Aubrey as Javert.
Via broadwayworld.com
Well hallelujah, it’s finally here: the epic, groundbreaking, life-changing movie version of Les Misérables. Yup, on Christmas Day we can all run off to the local movie palace to lose ourselves in three hours of emotional torment, armed conflict and theatrical scenery chewing, the like of which, we are told, has never before been captured on film.
Of course, those of us who are celebrating with our in-laws can experience all of the above (as well as the annual battle for the drumstick) live and in person from the comfort of our favorite barcalounger. This scenario offers the added bonus of support from the affable Mssrs. Jameson and Daniels as well as the distraction of roughly fifty bowl games to keep everybody occupied. The choice seems like a no brainer to me, unless of course between now and Christmas somebody opens up a movie theater with a full bar, but even then I’d have to sit through this dud of a movie, and make no mistake, despite all the overblown adjectives attached to it, that is most certainly what it will be.
Are we having fun yet?
Courtesy Vogue magazine.
In any case, Hollywood’s all atwitter at the imminent release of Les Misérables, the movie adaptation of the Broadway musical which is based on the English translation of the original French novel centering on the improbably named Jean Valjean. Back in college we referred to this kind of product as having been “stepped on” a bit too much, that is, bulked up with suspicious fillers that extended the quantity but diluted the impact of the original ingredient. I’m referring of course to meatloaf for those of you who spent your time in academia studying rather than “cooking” at every possible opportunity. But I digress.
I have sat through the endless promotional video for this exercise in adaptive re-use approximately one hundred times — in the run up to virtually every movie I’ve taken in over the past six years. As a result, I have already seen far more of said musical extravaganza than I ever wanted to. With a running time of four and a half minutes, the Les Misérables First Look video is utterly excruciating. The absolute nadir, the point at which I actually squirm in my seat and feel the need to avert my eyes (every. single. time.) is when Mr Sexy Wolverine earnestly explains the delivery of his soliloquy (“What have I done. What have I done? Sweet Jesus, what have I done?” etc.) in a scenery-chewing moment that showcases all of his acting chops all at once as he emotes and pants his way through three lines of lyrics/dialogue. Watch it at your own risk, but don’t say you weren’t warned.
The rest of the cast is similarly insufferable in their apparent conviction that filming a musical with real singing is second only to splitting the atom in the pantheon of human accomplishment. Director Tom Hooper, who inexplicably chose to follow up The King’s Speech with this mess, observes that there’s “something false about people singing to playback.” Listen Tom, you seem like a nice guy, but you’re an idiot. There’s something false about people randomly bursting into song in the middle of a conversation, backed up by a 70 piece orchestra. I’m sorry to be the one to break this to you, but there is no way any musical is ever going to be anything but affected and unbelievable, which is why I never watch them.
That haircut. I feel you, Anne.
via deadline.com
Then of course there’s the barbering of Anne Hathaway to be endured — I’m referring of course to her movie haircut rather than the unfortunate wardrobe malfunction. I suppose I’d probably sob my way through the filming too if I’d foolishly agreed to have my head shorn for a turkey like this. Really, not since GI Jane have so many locks been sacrificed for so little gain.
Today I read a review of the movie that, inadvertently, sums up my dislike for it.
Haven’t we all Felt enough? Isn’t there ample squalor in my living room by four pm on Christmas Day? Why add more sobbing to the holidays?
And don’t you even think of singing your response.
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Posted in Commentary, Holiday fare
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Tags: Anne Hathaway, Christmas, Hugh Jackman, Humor, Les Miserables movie, scenery chewing, Tom Hooper, Wolverine